Takahashi, B. (Director). (2009). Zen [Film]. Kadokawa Pictures.
In a world that relentlessly demands our attention, rewards frantic busyness, and operates in a state of perpetual crisis, the act of simply being still can feel like a radical rebellion. We are conditioned to believe that leadership is about action, decision, and forward momentum. However, in both the research and our reflection, it becomes clear that the most potent form of leadership begins not with a bold outward step but with a quiet inward turn.
The 2009 Japanese film Zen, directed by Banmei Takahashi, is a stunning exploration of this very situation. It is a slow, meditative, and beautifully crafted biopic of Dogen Zenji, the 13th-century Buddhist monk who defied the political and religious establishment to found the Soto school of Zen in Japan. While a historical drama, the film serves as a vicarious mentor for modern leaders on the power of unwavering purpose, the creation of psychological safety, and the radical wisdom of simplicity.
The film follows Dogen from his travels in China, where he finally discovers a form of Buddhism that resonates with his deepest questions, to his return to Japan. He comes back with a single, seemingly simple teaching: shikantaza, or "just sitting." He posits that enlightenment is not a future goal to be attained, but a present-reality to be experienced directly through the disciplined practice of seated meditation (zazen).
This teaching is revolutionary and threatening. It challenges the established Buddhist schools of his time, which had become entangled with political power, wealth, and elaborate rituals. Dogen faces resistance, ridicule, and physical danger, not from invading armies, but from the entrenched powers protecting their own influence. Undeterred, he attracts a growing following of monks, outcasts, and even samurai, all drawn to the quiet integrity of his practice. He eventually retreats to the remote mountains to build Eiheiji, a monastery dedicated entirely to the pure practice of zazen, creating a sanctuary of stillness in a violent and chaotic world.
For a contemporary leader, watching Zen is an exercise in patience. The film's deliberate pacing mirrors the meditative practice it portrays. Yet within its quiet frames lie powerful lessons:
Zen is not a film for those seeking action or melodrama. It is for the leader who feels the pull of the urgent but longs for the clarity of the important. It is a cinematic meditation that invites you to slow down, to observe, and to reflect on the very nature of your own presence and purpose.
In the end, Dogen's story reminds us that the most stable and resilient structures are not built on shifting external circumstances, but on a firm internal foundation. By first building an architecture of stillness within ourselves, we can then create sanctuaries of safety and purpose for those we lead - a source of stability in our own unstable world.